For Easter has arrived and with it a respite from the Holy Week choral marathon! After singing five services in four days and being stuffed with Easter dinner at the in-laws’, I was good for very little last evening. Rain was coming down in torrents, so it was time to get cozy indoors. I swapped my lacy tights and heels for a comfy pair of handknit wool socks and my dressy Easter clothes for yoga pants and a sweatshirt, pulled my favorite Welsh wool blanket (a wedding present from my cousins in Maine) out of the bureau drawer and snuggled up on the couch with my cat, some knitting, and the third season of All Creatures Great and Small. I thought about working on this:
But it requires too much brain power. That’s the beginning of my Cocoon-Stitch Half-Circle shawl in the Toots LeBlanc angora/merino, and I’m pleased as punch with how it looks and how it feels… softer and deliciously softer as the yarn passes through my fingers and the angora halo blooms. But the pattern is written out line by line and I haven’t memorized what happens between the “cocoons” and the increases yet.
So I picked up my newest project: the Three in One cardigan for my mother, which I cast on Wednesday (which feels like a month ago) at the Close Knit knitting night. I put on my 184 stitches and got started, then remembered I was planning to work continuous garter-stitch hem/button bands with mitered corners for a nice, finished look after I steek… a nice, finished look that was going to require the forethought of a provisional cast-on. Oops. Tracy lent me her crochet hook and reminded me how easy it is to do a provisional cast-on using the hook to draw loops over your needle. I am the world’s clumsiest person with a crochet hook. (As Tracy tactfully put it, “Hmmm, I don’t think I’ve ever seen anyone carry the yarn in the right hand for crochet.”) I can steam away with two needles at lace, cables, travelling stitches, short rows, you name it… but Galapagos finches can manipulate their insect-extracting twigs with considerably more dexterity than I can muster in wielding a crochet hook. But after a while I developed a sort of left-handed throw that was more or less efficient, and the advantage of the crochet-hook method is that I think I’ll be able to remember how to do it next time, whereas I always have to look up video tutorials of the methods I’ve tried before.
The Three and One turns out to be blissfully brainless colorwork, premium for watching Little Dorrit on Masterpiece Theatre. (I haven’t read this particular Dickens and it’s seriously stretching my attention to figure out what is going on with the truly creepy French guy and some of the other murky fringe characters who are obviously tied into the Dorrits’ and Clenhams’ murky history in some murky, confusing way. I think murky may in fact be the definitive adjective for a Dickens plot. But boy am I looking forward to the romantic payoff when Amy and Arthur finally get together. End tangent.) I’m doing the “Pheasant’s Plumage” version with the purl stitches. The major design dilemma is this: Mom wants some waist shaping. I can’t add it by decreasing without disrupting the three-and-one pattern. (Well, I could–there’s an occasional single-color plain round that would allow for subtracting multiples of four invisibly–but the vertical alignment of the motifs would be thrown off OR, if I bunched the decreases, I’d have potentially unflattering stair-steps at the side “seam.”) If it were for me, I’d throw in an extra design element: a band of about 4″ of ribbing to draw the sweater in at the natural waist in the oatmealy background color. This would echo the shawl collar I’m already planning to add (Mum and I both have slender necks that make the rest of us cold if left exposed) and the ribbed cuffs and might, with the addition of a tie-on belt using some of the contrast colors, give the sweater kind of a rad Starsky and Hutch vibe. But I don’t think my mother owns any belted cardigans, and if the belt of her bathrobe is anything to judge by, I might just be knitting puppy bait. Because apparently
fabric belt : Labrador
as
thumb : toddler
or
Coors Light : my brother-in-law.
All’s just right with the world when the two meet at the lips, you know? And also I’m fairly sure my mother has never seen Starsky and Hutch, original or remake.
So I’m delaying the decision until I can put the question to Mum, and meanwhile I’m angling in for some subtle shaping by going down a needle size now that I’m about 3″ in. (Mum, if you read this post before I see you next weekend, leave your preference in the Comments, okay?) Any advice for me, wise readers? Solutions I haven’t thought of? What do you like to do with colorwork patterns and decreases?
*Post title courtesy of William Byrd’s delightful but tricky setting of this psalm:
- Sing joyfully to God our strength; sing loud unto the God of Jacob!
- Take the song, bring forth the timbrel, the pleasant harp, and the viol.
- Blow the trumpet in the new moon, even in the time appointed, and at our feast day.
- For this is a statute for Israel, and a law of the God of Jacob.
I like the bit with the trumpet and the new moon.